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Monday, April 5, 2010

Tum Milo Toh Sahi movie review

Tum Milo Toh Sahi movie review

Story: Dimple Kapadia's little tea house is threatened to be swallowed by a bigger chain of coffee stores. But Lucky Cafe isn't an ordinary cafe. It has been the communion point for all kinds of Mumbaikars who now rally around to save the heritage site from greedy multinationals. Leading the crusade is the crabby lawyer, Nana Patekar, who also couldn't stay immune to the charms of the friendly Parsi neighbour.

Movie Reviews: Where have you been, Nana? And why don't we see more of you, Dimple? These are the two questions that primarily stare you in the face as you sit through Tum Milo Toh Sahi, a sweet little ode to the spirit of the quintessential Mumbaikar who manages to connect, communicate and build lasting bonds in the milling crowds. The two veteran actors create such a warm picture of humaneness, warmth and togetherness, it leaves you asking for more. And the fact that they are total opposites -- he's Subbu, the reclusive, angry, Tamilian and she's Delshad, the delightful, exuberant Parsi -- makes the bonding crackle and shine some more.

Ever since their first meeting which begins with a fight in a mall, the duo take you by the scruff of your collar and make you sit up and watch them as they chart out a friendship graph that weaves through unchartered territory. Like, Nana playing the violin in his dead mother's room, while Dimple watches or Dimple trying to convince him to open up his house, and himself too, to let in some fresh air. Eventually, Nana does play crusader and try and save her cafe from the land sharks, but it is the smaller nuances and the several unsaids between the adult couple which makes for compelling viewing.

The other actors too manage to create some firmly-etched cameos. There's Suneil Shetty and Vidya Malvade, the discord-ridden couple who are on the verge of a split. And there are the mass communication students, Rehan Khan and Anjana Sukhani, who may or may not transform their fuchha-senior relation


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